Illustrated recipes have managed to become a staple of both the culinary and illustration worlds, not only providing a platform for creatives with a passion for food and drawing, but also offering a limitless source of creative inspiration for artists and writers alike, and while we mention it, chefs too.
In this article we’ll examine some creative uses for illustrated recipes outside of finding inspiration, how we can use Pinterest to find inspiration, walk through an 8 step process for illustrating a recipe, dig into how illustrated recipes can be used by writers to overcome a writer’s block and finally I’ll be giving away my long-coveted Tiramisu recipe in the form of a free download of my illustrated recipe made for this article.
Creative uses for illustrated recipes
Using Pinterest as an illustrated cookbook of inspiration
8 Steps for illustrating a recipe worth eating
How writers can use illustrated recipes to find creative inspiration
The Chef JGlover Tiramisu illustrated recipe [Free Download]
However, there are steps that can make the process more enjoyable, more enriching, and give you a much greater understanding of what the artist was trying to communicate.
A common problem that art viewers and gallery or museum visitors share is that they can feel like they’re looking at the artworks, but not really seeing them. This can be an isolating feeling and cause viewers to start doubting themselves.
The good news is that you don’t have to be an art scholar or possess any natural talents in order to really see art, and analyse the works that really catch your eye.
In order to develop as an artist, especially an artist intent on Studying the Masters; being able to effectively break down and analyse art is an essential skill for the toolbelt. Without understanding a little about what is going on in an artwork, it would be difficult to truly study it and learn from it.
This doesn’t only apply to artists though; if you are an observer, a casual viewer of art, then you will certainly find that developing a better understanding of how to analyse art will give you more of an appreciation for it.
In this article, we’ll discuss a method for analysing artworks using a series of questions; a systematic approach that can be followed as much or as little as you see fit.
After reading this and giving it a go, you will see for yourself that you do not need to be an art scholar in order to view art like an expert.
The idea behind this article is one that has been rattling around in my planned posts pool for quite some time. Every single time I grab the pencils, inks or paints, I simultaneously select a podcast to listen to while I work and get settled into the process.
Podcast statistics show that in 2020 there were over 850,000 active podcasts and over 30 million individual episodes, that statistic tells us that there is a lot of choice. In fact, in preparation for this post I ended up going down a vast network of rabbit holes and diving into some powerful podcast statistics.
Now you might be looking for a great podcast to listen to while you’re at work or being creative and have different tastes to mine, I have prepared this piece to appeal to a few different subjects; after all chances are that if you have ended up on my website, we have some shared interests. I’ve diligently filtered the over 850,000 active podcasts down to four of my favourite go to listens.
I decided to kick this new year off by diving straight back into the Geisha theme that I’ve been working around over the past year. The first UK lockdown gave me the chance to really delve into Japanese culture and pore over various books, articles, blogs, etc. Studying the art, culture and history of Japan and much of Asia has well and truly captured my attention, and my imagination.
In light of getting myself stuck into Japanese culture and history as of late, working on my Geisha art project and working part time as a Sushi chef; I decided to venture into another area of Japanese tradition.
Sumi-e is the name given to a style of East Asian brush painting that uses black ink; this method was commonly employed by the master artists of the past in East Asian traditions to create calligraphy and landscapes drawings/paintings.
I absolutely love the look and feel of sumi-e landscape paintings and the atmosphere they evoke; I also love working with charcoal. That was enough reason for me to fuse the two things and work at creating a Japanese landscape piece that has a sumi-e look to it but the smoky, soft magic of a charcoal drawing.
So in my cultural explorations and world travels via my drawing materials I found myself on a brief visit to the Indonesian island of Bali. The Balinese are fascinating people to study and learn about and although there have been many cultural changes to the island in the past century, there is also a strong presence of the ancestral forefathers of the island.
One industry that is a great platform for cultural exploration anywhere in the world is farming. Farming is an industry that despite the invent of machinery and industrial growth, still holds many roots in the distant past, whether you are in the rice paddies of Vietnam or the corn fields of Indiana.
Whilst it’s true that there are no ochaya (tea houses) underwater that are operating and hiring Geisha, there is always room in the imagination to invent some. I’ve been working on a series of Geisha artworks and then suddenly, Mermay 2020 was upon me.
Mermay is described by its founders as a month-long celebration of creativity, community and above all… MERMAIDS. People use this month to create a variety of Mermaid illustrations, many people creating one for each day of the event. I’ve never partook in this particular ‘drawing challenge’ so this time around, I made a point to throw out at least one piece.
Continuing on with my Legend of Zelda miniseries, I decided to add a piece into the mix with more of a fine art vibe to it. So far I’ve worked up a few ink and watercolour illustrations with a few more planned, this piece however is a charcoal drawing; with the intention of later being an oil painting.
Every now and then I am suddenly and unexpectedly hit with surges of nostalgia, and having art and illustration as my choice medium of outlet, this usually always results in artwork. Sometimes just a doodle of scribble, sometimes a painting; and occasionally a series.
This is the case with this miniseries, I also will be adding a few more pieces to this set as well using different media; as I have been accepted into the upcoming Zelda Creator Con by Linktober!
Anyway, before I keep rambling on like the Great Deku Tree, let’s see some art…